D. Dominick Lombardi is an artist, writer and curator. He is represented by Kim Foster Gallery, New York, NY and Prince Gallery in Copenhagen, Denmark and often exhibits and curates shows at a variety of institutions including Lichtundfire and Walter Wickiser Gallery in New York City and the Morean Arts Center in St. Petersburg, FL. Feature articles and reviews of his exhibitions have appeared in Sculpture, WHITEHOT (Canada), ARTES magazine, ARTnews, The New York Times, artscope, O2magazine (China), Creative Loafing, Post Road Magazine (issue 19), Post Road Magazine (issue 20), nyartbeat, The Advocate & Greenwich Time, The M magazine, Time Out New York, Skin & Ink, The Record Review, Art New England, San Antonio Express, San Antonio Current, Riverdale Press, Art in Culture (S.Korea), ZING magazine, THE NEW YORK GAHO (cover and feature-Japan), Poetry and Thought (Japan), ANIMALmagazine and ANIMALNEWYORK.com, artnet, NYARTS magazine, d'ART, culturecatch.com, NY Arts Journal, and BLURRED VISION (cover art issue #1 and interior pages issues #1-3).
Lombardi has written features and art criticisms that have been published in ARTES, The Huffington Post, ARTslant, Art Experience NYC, Public Art and Ecology Magazine (China), The New York Times, Sculpture, Sculpture Review, d'ART (U.S. Editor), Art in Asia (S.Korea), Art Papers, Art Lies, ARTnews, & magazine, Juxtapoz, New Art Examiner, Art New England, NYARTS magazine, culturecatch.com and others.
As a curator, Lombardi has worked with numerous artists on such shows as Waterworks, Where to Draw the Line, Photo A Go-Go, Parallel Fields, Natural Impact, Water Over the Bridge, Pattern, Power, Chaos and Quiet, Free Form Five, Emily Berger: Rhythm and Light, Self Indulgence, Counterpoints to the Narrative (artes review) (culturecatch review), Duchamp's Plumbing, Tondo, Tondo, Tondo, NewCopenYork, SPORTSVERGNÜGEN, Facie: Self Portraiture Interpreted by 25 Artists, Raid Envy, Exquisite Porch (creative loafing review), Through the Veil of the Soul, Shaky Ground (artes review) (culturecatch review), HEAD (Hampden Gallery/UMASS Amherst), reVision, A Tangled Web, HEAD (Bosi Contemporary, NY, New York), Eye on the Storm, In Their Own World, Kerosene Garden, Monkey Spoon (culturecatch review), Anonymous (culturecatch review), Suspect Reason, Nature Calls, The Intelligent Design Project, Bóm: How art can disrupt, reorient or destroy, Art Noir, Fear is a Four Letter Word, Speaking in Strings: Ken Butler & Kurt Coble, Scapes, Critics Select I & II, The Reality Show, East Vs West, Over the Top - Under the Rug, FUNKADELICIDE, The Impact of War, The Waking Dream, Obsession (Food), Lights - Sound - Action!, The Tradition of Icons, and Champions of Modernism: Non- Objective Art of the1930s & 40s and Its Legacy.
Catalogs and Books: High+Low: A Forty Five Year Retrospective, Water Over the Bridge, Saints, Sinners and the Collective Unconscious (artscope review) (culturecatch review), The Right to be Human, SPORTSVERGNÜGEN, Facie: Self-Portraiture Interpreted by 25 Artists, Raid Envy, Tattooed Tokyo: a Combination of Factors..., Exquisite Porch, Through the Veil of the Soul, Shaky Ground, reVision, HEAD (Hampden Gallery/UMASS Amherst, A Tangled Web, HEAD, Eye on the Storm, Hidden Worlds, Post Apocalyptic Tattoo comic book, Under the Influence, Post Road/Issue #19, Apocalyptic Pop, Characters: Scene I and II, Contemporary Korean Artists in New York, Accelerating on the Curves/The Artist's Roadmap to Success,